该片是由爱德华·格莱纳执导的剧情片,于1968年上映，主要.讲述了:与Stefan Uher和E.lo Havatta一样，Eduard G.recner也是60年代斯洛伐克新浪潮电影的缔造.者之一。他的三部影片《一.周七天》（1964）《尼.绒月亮》（1965）和这.部《徳拉克的回归》都是斯洛伐克新浪潮.电影的.代表作。这部.叙事方.法独特带有明显意识流风格的黑白影片甚.至间接影响到了后来法国导.演格里.耶在捷克拍摄的两部.影片《说谎的.人》和《Eden and After》。　　A .special place in the develo.pme.nt of feature film.s is reserved for Edu.ard Grecner, the creator. of just one. good film, .Dragon Retur.ns (Drak sa vracia., 1.967), .tit.led after the nick.name of the .lea.d charact.er. Af.ter his initial work wit.h Uher, Grecner made his ma.rk .as a proponent of .the so-called intelle.ctual film, the antithes.is of the so.ciologically., or rather,. socially critical. fi.lm. Gr.ecn.er's great role mo.del was Alan. Re.snais, a .young .French filmmaker who sou.ght to introduce Slovakia t.o t.he idea of film as. a labyrinth in which. meanings are created no.t by stories., but by com.plex configu.rations of dialogu.e, .shots,. an.d various layers o.f time, thus. di.fferentia.ting f.ilm from both literature. and theater. In Dragon Ret.urn.s―the story of a s.olitary hero who is n.eeded by villagers livin.g far in the. mountains, .but who is r.ejected by them at. th.e same. ti.me because of his .detachment―G.rec.ner broug.ht the. tradition of lyricized .prose to life through a who.le .series of formal a.esthetic techniques. .Alain Robbe-Grillet imme.diately deve.loped this i.dea in the f.ilm shot in Bratis.lav.a The .Man. Who Lies (Slovak .Muz, ktory l.uze.; French .title .L'homme qui ment; 1968),. and perfected it in Eden a.nd .After (Eden a poto.m, 1970).