该片讲述:与 和 一样， 也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（19该片《德拉克的回归》是由爱德华·格莱纳执导的电影，别名:Dr.agon R.eturns，与Stefan .Uher和Elo Havatta一样，Eduar.d Grecner也是60年代斯洛伐克新浪潮电影.的缔造者之一。他的三部影片《一周七天.》（1964）《尼.绒月亮.》（1965）和这.部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作.。这部叙事方.法独特带有明.显意识流风格的黑白.影片甚至间接.影响到.了后来法国导演格里耶在捷克拍摄的两部影片《.说谎的人》和《Ed.en and. Af.ter》。 . A .specia.l plac.e in the develo.pment of feature films i.s reserved for Eduard Gr.ecner, the creator. of just .one. good fil.m, Dragon Returns (Drak .sa vra.cia, 1.967), tit.led af.ter. the nickname of the .lead char.acter.. Af.ter hi.s i.nitial. work .with Uher, Grec.ner made his mark as a p.roponent of the so-calle.d intellectual fil.m, the an.tit.hesis of .the sociologically, or r.ather,. socia.lly criti.cal fi.lm.. Grecner's great role. model wa.s Alan. Re.snais,. a .young .French. filmmaker who .sought to introduce Slov.akia to the idea of film. as a labyrinth in. which me.ani.ngs are c.reated not by stories, b.ut by .comple.x configu.ration.s o.f dialogue, shots, an.d various. layer.s o.f time., t.hus di.fferen.tiating film fr.om both literature and t.heater. In Dragon Return.s―the story of a s.olitary h.ero. who is n.eeded by villagers livin.g far .in the. mountain.s, but. wh.o is rejected by them. at the s.ame ti.me .becaus.e o.f his .detach.ment―Grecner br.ought the tradition of l.yricized prose to life t.hrough a whole ser.ies of fo.rma.l aesthet.ic techniques. Alain Rob.be-Gri.llet i.mmediatel.y deve.lop.ed this idea in the f.ilm shot .in Bra.tis.lava T.he .Man Wh.o Lies. (Slovak Muz, k.tory luze; French title .L'homme qui ment; 1968),. and perfected it .in Eden a.nd .After (Ed.en a potom, 1970).《德拉克的回归》由拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach参演，是一部非常棒剧情题材的电影，本站免费提供德拉克的回归德拉克的回归手机高清在线观看。详情